(Note: The rubber cement bottle is full of warnings. It contains chemicals and latex. It smells bad and the fumes can be hazardous. It’s flammable. It can cause allergic reactions because of the latex. I decided I was comfortable using it with my three-year-old for a short amount of carefully supervised time in a controlled environment. You may decide differently based on your child’s age and temperament. Please use common sense, okay?)
Materials: Rubber cement, watercolor paper, liquid watercolors
Rubber cement can act as a frisket (masking fluid), protecting part of the paper from paint to create a resist effect. G and I tried it out first, but we’ll be sharing with the boys, too.
The bottle comes with a paint brush, so G wanted to paint with it.
I experimented as well, both by trying to paint an image with the brush on one small square, and by drizzling it onto another. I wasn’t ready to sacrifice a paintbrush to create fine, controlled lines, but I may do that with the older kids. When you’re done applying the rubber cement (and more on technique in a minute), you need to let it dry.
While we were waiting, G painted a picture with the watercolors on another sheet of paper.
When the rubber cement was dry, we painted over it with liquid watercolors. “Look!” exclaimed G.
You can see how it’s resisting the watercolor. G really spread her rubber cement thin and over a large area; this probably isn’t the way to go for a striking resist effect. I’d recommend drizzling or applying in a more blobby way (we’re so technical here!), because spreading it out makes the next part difficult.
When the paint is dry, you can rub off the rubber cement to reveal your resist. We had to work hard to get all of the rubber cement off of G’s painting!
G’s painting is the large one on the left. On the right are my two experiments–for the top one, I used the brush that came with the cement to try to paint a snowflake. It worked well enough, but the brush is big and smears the glue around. For the bottom one, I mostly drizzled (I used a wooden clay tool because it was handy). That’s my favorite–the glue drizzled thickly enough to get a strong contrast between white and color.
I’m thinking next time I might remove the brush entirely and offer something else, to encourage drizzling. Hmm, I wonder what would work best? Ideas?